The key is to keep it as simple as you can, things can become messy quite quick. I have done a general correction after everything also.Īfter all this I have worked with masks and stuff. Then I have worked on the "look" and placed it within the single streams, to use the dynamics I have done before I have used the layer mixer and create stream for each change I needed The DP i have worked with had done a great job "shutter pulling" and that helps a great deal.įirst thing I have studied how the light was changing and I found a "master shot", then I have found all the places where I could hide the dynamics and balance the whole thing with very simple correction, mostly offset and contrast working with the light changing and not going against it.
Last year I have done a 15 min long short movie, shot on a single long take at sunset hour where the 4 subjects kept going in and out a house, so lots of exteriors and interiors with a massive light change.
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